Minakari Copper Plate – Sheikh Lotfollah Mosque Design
Bring the colour and intricate geometry of Persian Heritage’s decorative arts into your home with this Persian Minakari copper plate, inspired by the Sheikh Lotfollah Mosque in Naqsh-e Jahan Square. Selected by Persis Collection for its distinctive architectural design, this 30 cm decorative piece is made from copper and painted by hand, making it a striking choice for display on a wall, on a stand, or alongside a collection of Persian art. Its turquoise, deep lapis blue, and cream palette gives this Persian Decorative Plate a strong visual presence without losing the delicacy associated with traditional Minakari work. For collectors of Persian Home Decor and Persian Wall Art, it offers a particularly recognisable connection to the patterns and colours of Persian Heritage. Every order also supports Persian artisans and their communities.
Persian Minakari Wall Plate Hand-Painted on Copper
The plate measures 30 cm in diameter and comes in a 33 × 33 × 5.5 cm box. Its copper base is hand-decorated, so the appeal of this hand-painted Persian plate lies in the careful execution of its detailed surface rather than mass-produced decoration. Turquoise, lapis blue, and cream form the main background colours, while red accents add warmth to the floral and geometric details. As a Persian Copper Plate, it can serve as a Persian Decorative Wall Plate or be displayed on a stand, giving you flexibility when arranging shelves, cabinets, or an art-focused wall. The combination of copper and enamel decoration also makes it a compelling Persian Minakari Plate for buyers drawn to traditional Persian enamel work and Persian copper wall decor. To care for the Persian enamel plate, simply clean it with a damp cloth. This straightforward care guidance helps preserve the appearance of the painted surface while making the piece practical to keep as part of a long-term decorative collection.
Persian Decorative Plate Inspired by Sheikh Lotfollah Mosque
Look closely at the composition, and the architectural reference becomes part of the pleasure of owning the piece. The central medallion draws the eye inward before layers of orderly geometry and delicate Shah Abbasi floral motifs carry the pattern towards the richly worked border. Deep lapis blue has an almost luminous quality beside turquoise, cream and touches of red, recalling the visual impact of the tilework associated with Sheikh Lotfollah Mosque and the wider architectural setting of Naqsh-e Jahan Square. Here, that inspiration is translated into Minakari on copper, allowing the complexity of a monumental architectural design to be appreciated at the intimate scale of a Persian Plate. The hand-painted details also reveal something that photographs can easily flatten: the design depends on patience and precision, from the balanced central motif to the repeated forms around its edge. Displayed where its dense pattern can be viewed closely, this Persian Minakari Copper Plate becomes more than surface decoration. It offers a focused expression of Persian decorative art and a visual reminder of the colour, symmetry, and disciplined ornament that give the original architectural inspiration such character.
